ASO © 2014
ROSA OG EVIGHEDEN


ROSA AND ETERNITY

Festivities 2014 - a new opera fantasy by Svend Åge Madsen, Maria Madsen and Erik Bach

Singers: Nina, Bols Lundgren; Liv Oddveig Midtmageli; Jakob Næslund Madsen; Jens Bruno Hansen;
Actors: Durita Dahl Andreassen, Merete Hegner; Zaki Nobel Mehabil; Carl Christian Rasmussen
Director: Asger Bonfils
Designer: Anette Hansen
Conductor: David Riddell
Randers Chamber Orchestra


Aarhus Sommeropera is proud to present yet another thought-provoking world premiere, ROSA AND ETERNITY as our production in 2014. The Old Town is celebrating its 100th anniversary in 2014, and to mark this we have specially commissioned a work which takes its starting point in some of the buildings in the Old Town, and some of the historic figures who have lived there. To give the production authentic Aarhusian flavour, Aarhus-author Svend Åge Madsen has written the libretto together with his daughter, Maria Madsen, and composer Erik Bach, former rector of the Royal Danish Conservatory in Aarhus, has written the music.

The time is 1974. The well known composer Albert C. Malinger is informed that he is critically ill, and his major concern is that his futuristic work "Festspil 2014" is unfinished. In desperation, he seeks inspiration from his muse, the humming girl, who has already inspired his well-known work on the spirited life in the Miller's House in 1864, and The Orgasm Variations which we also see in creation and in performance. Originally, Rosa worked as maid for Ejler Bølle in the newly built Provost's Mansion. When the bishop tries to force himself upon her, she slips from his grasp, humming all the while. He curses her to wander eternally humming, observing life but never participating in it. Together Albert and Rosa travel through time to alter their death (and life) sentences so he can complete his "Festspil 2014" and she can live life, for better or worse.

"Opera is an entertaining and exiting genre to work with, in as much as an opera libretto is so stylised. This gives varying degrees of freedom, but also limitations, which forces me as an author to be very strict with myself and very precise. I am used to writing prose, so it has been fun to experience how quickly and precisely on can get something to work", says Svend Åge Madsen.

"We step into the plot immediately. We see the composer's reaction; he thinks over the various works he has created, and worries over the things he has not managed to finish. This is one of the productions main elements - the other is the myth we have here in Aarhus about woman who is doomed to walk the earth for eternity, quietly humming a melody to herself, observing live, but unable to participate in it. She has contact with the composers and knows his situation."

"The plot is relatively complex, with several time-levels. But the main story is simple. An opera, we have used as inspiration is "The Tales of Hoffmann" and another is "Ariadne auf Naxos". Both used two levels - two stories, which play out simultaneously. In that respect, we are relatively close to tradition."

Erik Bach says: "The challenge for me as composer, has been to write an opera in an opera. With four full-blooded singers, who have to match four fully -grown actors in the plot, it has not been by any means easy. The libretto's characters wear their emotions on their sleeve, and there are also challenges with the historic aspects of the story. That the main character "finds himself" in 1974 means that the narrative opera (as opposed to the opera in the narrative) takes its stylistic starting point in the contemporary tonal language of the time, postmodernism. The opera in the opera is a "Festspil", so this points towards the music's possibilities for underlining the "festivities"! The Old Town is celebrating its 100th anniversary, so why not exploit the possibility to express this musically in a postmodern context."

Our current season is funded by: Wilhelm Hansens Fond; Aarhus Stiftstidendes Fond; Dansk Kompoist Forenings Produktionspulje og KODAs Nationale Midler




Premiere :
August 22, 7.30 p.m.

Performance dates:
August 26, 7.30 p.m.
August 27, 7.30 p.m.
August 30, 8.00 p.m.
September 2, 7.30 p.m.
September 3, 7.30 p.m.
September 5, 7.30 p.m.


Helsingør Theater,
Den Gamle By,
Viborgvej 2,
8000 Århus C

Ticket Sales:
Musikhuset Aarhus
Tel. 89 404040

www.billetlugen.dk
Tel. 38 481700